It is a little soft at f/1.4 at the centre but improves from f/2 whereas the corners only improve from f/2.8. There is no standard distance window, and what I saw with the in camera feedback was that accurate focus for stars arrived nowhere close to “infinity”. Sigma 14mm f/1.8 Art vs Laowa 12mm f/2.8 * In fact, one of the oldest primes for the system is the E 16mm f/2.8, an inexpensive pancake lens haunted by something of a mixed reputation. Most of the barrel is constructed from solid metal, with the exception of the smooth rubber focus ring which is very precise and enjoyable to use. They look a little like mosquitoes. The focus ring and zoom ring are adjacent to each other, yet you can tell the difference between them thanks to the difference in size. Used between f/4 and f/11, the performance of the Sony is just as good as the Sigma. I’ve saved some of the best news until last. Lumens, Apr 18, 2017 #9. liggy likes this. Sigma vs. Rokinon Centre Sharpness Compared. One of the best deals you can find for your Sony APS-C camera is the Samyang Rokinon 12mm f/2 whose field of view sits in between ultra wide and moderately wide at 18mm in 35mm terms. If you were planning to do some macro work with your wide angle lens, the 16mm DN is certainly not going to your first choice. Providing a 35mm-equivalent focal length of 16mm and a broad 105.9° angle of view, this lens is ideally suited for interior, architectural, and landscape photography applications. 5 Stars ... Sigma Tamron. There is a bit of veiling (lower contrast) wide open that I traced to a fairly common problem with wide aperture lenses – some axial (or longitudinal) chromatic aberrations. 15mm Laowa vs. Rokinon 14mm SP vs. Sigma Art 14mm – Comparing the left side of the image for vignetting (light fall-off), wide open and stopped down. Sharpness is very good even at f/2.8 and the quality of the background blur is decent. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. Later on, however, Sony moved to a hybrid system that employs both Phase Detect and Contrast AF along with new features like Eye AF. It is good for everything in your cart, and is stackable with other coupons, too! The lens still balances fine on the Sony a6500 body that I used to test it on, though it is definitely up in weight from the 30mm, which weighed in at 265g. But as it turns out, it is a very good performer. That added engineering challenge is shown in the complexity of the optical formula, which is 16 elements in 13 groups (almost twice as complex)! The bokeh is decent for a wide angle lens and flare resistance is good as long as you donât shoot into direct sunlight. Image not available. Gauging distortion of the raw lens itself is a little difficult because of Sony’s profile attachment (in camera correction), but I can see on the screen or in the viewfinder before the transformation takes place (in a split second) that there is some noticeable barrel distortion. The build quality is on par with most Sony APS-C lenses: it has a black plastic finish and a metal lens mount. Sony E 16mm f/2.8: Up until the arrival of the Sigma 16mm f/1.4, the Sony 16mm f/2.8 pancake lens was the only option Sony E-mount users had if they wanted a 24mm equivalent prime (35mm format) with autofocus. I suspect this will be a fairly popular lens, as it seems like a great option for videographers with smooth, quiet focus that takes advantage of the a6500 or similar camera’s strengths as a video platform. This is a comparison of all three Rokinon 14mm lenses (also branded as Samyang) is by landscape and astro photographer Matthew Saville.. I’ve previously reviewed the 19mm f/2.8 DN ART lens from Sigma, and, while the AF worked fine in a lot of situations, I discovered with use that I had some issues with the AF pulsing in and out some during video recording, particularly if there was any backlighting in the scene. Certainly for landscape type work or general purpose shootings the lens will work just fine after the profile corrections are applied. I've been quite happy with the 12/2. The compact and lightweight Rokinon 12mm f/2.0 NCS CS prime wide-angle lens for Samsung NX APS-C sensor cameras provides a 35mm-equivalent focal length of 18mm with a broad 98.9° angle of view. This is a very sharp lens, with few competitors in the Sony system. Note: the code above is invalidwhen the software is on pre-order. I’ve seen some modern lenses with a bit of a color cast/bias to them or that deliver somewhat flat colors, and there are some other lenses (usually with Zeiss attached to them) that have a extraordinarily beautiful color rendition that is both vivid and accurate. The only drawback of this lens is the lack of electronic contacts on the mount, meaning that the lens doesnât transfer EXIF data to the camera. I was delighted to find that when I put even harsh sun in the frame the image quality held up almost perfectly, and that was true at a variety of aperture values. Both lenses are fantastic, but the 16 is just special, I use it for landscape, closeup, and night photography. For example, Lonely Speck states that the levels of coma at f/2 are very low and practically non-existent by f/2.8. The same is true of vignette, that, while it certainly exists if you go digging for it, arrives already corrected for in both RAW and JPEG images. When working in S-AF, we generally found the linear AF motor to be quick and silent. And it is silent. In practice, the Sigma 16mm f/1.4 DN has great autofocus. Ethics statement: All opinions expressed in this article are based on our real-world experience with each lens unless otherwise stated. The lens weighs 14.29 oz (405g). A quick look inside the camera bag of most photographers will usually reveal at least one wide-angle prime or zoom. Why choose the E 16-70mm ZA for your Sony APS-C camera: Published May 27, 2019 By Heather Filed Under: Best Of Tagged With: Best Lenses. Rokinon’s wide ... Sigma 16mm F1.4 DC DN Contemporary. We were not asked to write anything about these products, nor were we provided any compensation of any kind. These are almost never going to be large enough with this kind focal length to be noticeable, however, so I wouldn’t be too concerned. Condition: New. Why choose the Laowa 9mm f/2.8 Zero-D for your Sony APS-C camera: Check price on Amazon | Amazon UK | B&H Photo | eBay. All of the focus takes place internally, and nothing rotates at the front, which makes using a polarizer more simple. I’ve saved some of the best news until last. The Rokinon 12mm f/2.0 NCS CS lens ($299) for Micro Four Thirds is an affordable, effective optic for night sky photography, as I talked about in the last TDS podcast.But this lens is no one-trick pony. It also comes in a much wider range of lens mount options than the Sigma 15mm f/2.8 EX DG … I see no reason why this lens couldn’t be a friend to, say, a realtor who needed to shoot interiors for a listing. At f/2 sharpness is already excellent in the centre but the best results can be found between f/4 and f/5.6. This weakness aside, the 10-18mm is a well-rounded performer, delivering good autofocus on the latest bodies and decent optical stabilisation down to 1/2s (at 10mm) or 1/4s (at 18mm). However that certainly doesn’t stop me from buying these lenses for my hobby, of course, which is astro-landscape photography and general adventure photography. You can expect excellent results at f/5.6 and the performance is also good at short focus distances where you also get a decent out-of-focus rendering. SassE New Member. One nice touch that I’ve seen on some of the ART series lenses and that is included on the 16mm DN lens is a rubberized transition zone on the included lens hood right where you would grip the lens hood to loosen or tighten it. Sell it yourself. ©2018 Alan Dyer . The deep ridges on the fly-by-wire focus ring give you a good grip and help you make fine adjustments, while the stepping motor allows for quick, silent and accurate performance for stills and video. Compare Sigma 16mm f 1.4 DC DN Contemporary Lens for Sony E vs Rokinon 12mm f 2.0 NCS CS Lens for Sony E-Mount Black vs Rokinon 8mm f 2.8 UMC Fisheye II Lens for Sony E Black vs Sony E 16mm … I’ve tested all of these, and they are actually surprisingly good little optics, with nice color, quiet focus, extremely compact size, and a bargain price. If you want much better optical performance though, the Samyang / Rokinon 14mm f/2.4 is a much better lens in comparison. Though it shared a lot of design elements with the SLR ART series primes (similar body style and materials), along with the wide maximum aperture that ART primes are famous for, it was, ironically, badged a “Contemporary” lens. Whether you’re a landscape photographer, a nightscape photographer, or an in-your-face portrait or action sports photographer, you might be in the market for an ultra-wide prime lens.Rokinon now has three 14mm lenses on the market. I like to add ND filters for allowing for longer shutter speeds, and in some situations a circular polarizer can reduce reflections, add contrast, and deepen color saturation. Why choose the Zeiss Touit 12mm f/2.8 for your Sony APS-C camera: If you don’t have much to spend on a wide angle prime, the 7artisans definitely deserves your attention. It’s important for a landscape lens to deliver a good color performance. As a result, Sigma’s approach to mirrorless branding is a little like Alice’s “Through the Looking Glass”, where everything ends up somewhat upside down. Full Name: Rokinon 16mm f/2 ED AS UMC CS Dimensions: 3.27 inches/84 millimeters wide, 3.42 inches/86 millimeters long, with a moderate weight of 20 ounces/571 grams. It covers an equivalent range of 15-27mm, making it a very handy companion for landscapes and architecture. Picture Information. The upside of a focal length this wide when used from a gimbal or something similar is that the depth of field is going to be quite deep at most apertures, meaning that the focus shifts are going to be minimal anyway. Sigma 16mm f/1.4 DN Contemporary | B&H Photo | Amazon | Amazon Canada | Amazon UK It has huge lens hood and quite wide front lens body area. This didnât surprise me to be honest as Iâve fallen in love with almost every lens in Sigmaâs Contemporary and Art series for mirrorless cameras so far! By setting the Fstop so low means that you can reduce the ISO on your camera, creating less digital noise in your shots while still obtaining the same amount of light. I only wish they’d included the f/11 marking on the barrel as I use this value quite often. Sony loves innovation, and my opinion is that they are much better at developing new technology than they are at fully realizing (and servicing) existing tech. Thanks to its minimum focus distance of 25cm, you can comfortably work with this lens even in tight spaces. The good news is that the newer DN lenses (16 and 30mm) have been developed with Sony’s newer AF technology in mind. If you want landscape and a good portion of the MW, then 16mm is far from wide. The Rokinon 10mm f/2.8 ED AS NCS CS Lens is a prime, manual focus wide-angle lens designed specifically for use with APS-C sized image sensors. I’m a landscape guy so I’m content using a tripod in low light, and I’m not too concerned about hand-held shots. Minimal vignetting. (However, image quality suffers at f/1.8, and shooting wide open should be reserved for situations where shutter speed or image noise is a high priority.) I’ve purchased my sample used for the price of new 7artisans 12mm F2.8. 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